Un Coup de Dés
emanuel dimas de melo pimenta
concerto e film

dedicato a Arturo Schwarz

Teatro OUT OFF
Via Mac Mahon, 16, 20155
Milano, Italia

direto da Lucrezia De Domizio Durini

3 giugno. 2015 . 17:00
ingresso libero

Un Coup de Dés - MUSIC AND FILM SCORES

 

Un Coup de Dés' score is divided in movie and music.

The piece - both on movie and music - is structured on three movements. In the movie the movements are diachronic, in music they are synchronic. The three movements of the movie are basic defined, respectivelly, as war, classic movies and sci fiction. Penetrating the three movements there are some elements giving unity to the project. It is a reflection on what we can call "dream" - which sometimes is not exactly pleasant.

In the presentation at the OUT OFF Theater, in Milano, Italy, Un Coup de Dés is made in its original version, on four screens. In the score bellow, the four screens are merged.

We have:

Film 1. El Rio y la Muerte - Luis Buñuel (1954) - elements of unity
first movement - Nuclear Bomb tests
second movement - The Bishop's Wife - Samuel Goldwyn (1947); Casablanca - Michael Curtiz (1942)
third movement - 2001 A Space Odyssey - Stanley Kubrick (1968); Blade Runner - Ridley Scott (1982)

Film 2. Ghosts Before Breakfast - Hans Richter (1928); Surrealism at Its Best: Dali on "What's My Line?" (1950s) - elements of unity
first movement - World War II Army Air Forces Report (1944)
second movement - Casablanca - Michael Curtiz (1942); Dracula - Tod Browning (1931); The Maltese Falcon - John Huston (1941)
third movement - Giant from the Unknown - Richard Cunha (1958); Star Trek - Robert Wise (1979)

Film 3. Emak Bakia - Man Ray (1926); René Magritte Interview (1960s) - elements of unity
first movement - WW2 The Winter War 1939-1944
second movement - Dracula - Tod Browning (1931); Frankenstein - James Whale (1931); The Maltese Falcon - John Huston (1941)
third movement - The Day Earth Stood Still - Robert Wise (1951); Flash Gordon - Frederick Stephani, Ray Taylor, Robert F. Hill (1936)

Film 4. Emak Bakia - Man Ray (1926); Marcel Duchamp BBC Interview 1968 - elements of unity
first movement - Nuclear Bomb Tests
second movement - Singin' in the Rain - Gene Kelly, Stanley Donen (1952); Laura - Otto Preminger (1944)
third movement - 2001 A Space Odyssey - Stanley Kubrick (1968); Dr. Strangelove - Stanley Kubrick (1964); Planet Earth NASA

 

Both music and movie were designed after chance operations in stochastic modules. As to say, I played dices to determine certain elements of the pieces - which is also a reference to the title. In this way, there was no intention in my work. Very interestingly, the result is - specially in some moments - astonishing. As if we had Nature speaking.

 

The music score is constituted by three frequency guide lines - black, yellow and red. They are three voices. Bellow, in the movie-music score, the voices are overlapped - so, it is not easy to identity each one of them. After, they are presented separately. Basically, the musician must analyze each line - that covers a spectrum of frequency - and determine the sounds will be used to follow them. It is a heavy exercise that must be done separatelly for each voice. Only in the end they can be played together. The musician, or musicians, can use any type of sound and instrumentation. For the world première in Milan, I used electronics.

 

The movie is not a closed work. Each person can assembly the elements above and discover through fusions and cuts the best interpretation.

 

Emanuel Pimenta. Milan. 2015

 

 

 

 

 

 

 

 

 

the and movie music score

 

 

 

 

 

the music scores